Everything about Julius And Ethel Rosenberg totally explained
Julius Rosenberg (
May 12,
1918 –
June 19,
1953) and
Ethel Greenglass Rosenberg (
September 25,
1915 –
June 19,
1953) were
American citizens who received international attention when they were executed having been found guilty of conspiracy to commit espionage in relation to passing information on the
American atomic bomb to the
Soviet Union.
The guilt of the Rosenbergs and the appropriateness of their sentence have been subject of perennial debate. However, information released after the Cold War has been taken as confirming a charge against Julius about espionage, but not in relation to atomic bombs, at least.
Background
Julius Rosenberg was born to a
Jewish family on
May 12,
1918 in
New York City. His parents were poor immigrants who worked in the sweat shops of the Lower East Side in New York City. He became a leader in the
Young Communist League where, in 1936, he met Ethel, whom he married three years later.
He graduated from the
City College of New York with a degree in
electrical engineering in 1939 and in 1940 joined the
Army Signal Corps, where he worked on
radar equipment. Ethel Greenglass was born on
September 25,
1915, in
New York City, also to a Jewish family. She was an aspiring actress and singer, but eventually took a secretarial job at a shipping company. She became involved in labor disputes and joined the
Young Communist League, USA, where she first met Julius. The Rosenbergs had two sons named
Robert and
Michael, who were adopted by teacher and songwriter
Abel Meeropol (and took the Meeropol surname) after their parents' execution.
According to his supposed former
NKVD handler,
Alexandre Feklisov, Julius Rosenberg was originally recruited by the KGB on
Labor Day 1942, by former NKVD
spymaster Semyon Semenov. Allegedly, Julius had been introduced to Semenov by
Bernard Schuster, a high-ranking member of the
Communist Party USA as well as
Earl Browder's personal NKVD liaison, and after Semenov was recalled to
Moscow in 1944, his duties were taken over by his apprentice, Feklisov.
According to Feklisov's account, he was supplied by Perl, under Julius Rosenberg’s direction, with thousands of documents from the
National Advisory Committee for Aeronautics including a complete set of design and production drawings for the
Lockheed's P-80 Shooting Star. Feklisov says he learned through Julius that his brother-in-law
David Greenglass was working on the
top-secret Manhattan Project at the
Los Alamos National Laboratory and used Julius to recruit him.
After the war, the U.S. continued to resist efforts to share nuclear secrets, but the Soviet Union was able to produce its own atomic weapons by 1949. Its first
nuclear test, "
Joe 1", shocked the
West with the speed in which it was produced. It was then discovered in January 1950 that
Klaus Fuchs, a
German refugee theoretical physicist working for the
British mission in the Manhattan Project, had given key documents to the
Russians throughout the war. Through Fuchs' confession, U.S. and
United Kingdom intelligence agents were able to make a case against his "
courier,"
Harry Gold, who was arrested on
May 23,
1950. A former
machinist at Los Alamos, Sergeant
David Greenglass confessed to having passed secret information on to the USSR through Gold as well. Though he initially denied any involvement by his sister, Ethel Rosenberg, he claimed that her husband, Julius, had convinced his wife to recruit him while on a visit to him in
Albuquerque,
New Mexico in 1944 and that Julius had also passed secrets. Another accused conspirator,
Morton Sobell, was on vacation in
Mexico City when both Rosenbergs were arrested. According to his story published in
On Doing Time, he tried to figure out a way to reach
Europe without a
passport but ultimately abandoned that effort and was back in Mexico City when he was kidnapped by members of the
Mexican secret police and driven to the
U.S. border where he was arrested. The government claimed he'd been deported, but in 1956 the
Mexican government officially declared that he'd never been
deported. Regardless of how he was returned to the U.S., he was arrested and stood trial with the Rosenbergs on one count of conspiracy to commit
espionage.
Trial and conviction
March 6,
1951. The prosecution's primary witness, David Greenglass, stated that his sister Ethel typed notes containing U.S. nuclear secrets in the Rosenberg apartment in September 1945. He also asserted that a sketch he made of a cross section of the implosion-type atom bomb (the
one dropped on
Nagasaki,
Japan, as opposed to the "gun method" triggering device that was in the
one dropped on
Hiroshima) was also turned over to Julius Rosenberg at that meeting.
From the beginning, the trial attracted a high amount of
media attention, not unlike the trial of
Alger Hiss. Aside from the Rosenbergs' own defense during the trial, there wasn't one single public expression of doubt as to their guilt in any media (even the
left-wing and Communist press) before and during the trial. The first break in the media unanimity wouldn't occur until August of 1951 when a series of articles ran in the independent left-wing
newspaper The National Guardian. Only after the publication of those articles was a defense committee formed.
However, between the trial and the executions there were widespread protests and claims of Anti-semitism. For example Nobel Prize winner
Jean-Paul Sartre called the case "a legal lynching which smears with blood a whole nation. By killing the Rosenbergs, you've quite simply tried to halt the progress of science by human sacrifice. Magic, witch-hunts, auto-da-fés, sacrifices—we are here getting to the point: your country is sick with fear... you're afraid of the shadow of your own bomb." Others, including non-Communists such as
Albert Einstein and
Nobel-Prize-winning atomic scientist and Chemist
Harold Urey, as well as Communists or left-leaning artists such as Nelson Algren,
Dashiell Hammett,
Jean Cocteau,
Diego Rivera and
Frida Kahlo, protested the position of the American Government in what some termed America's Dreyfus Affair.
Pablo Picasso wrote for a French magazine, "The hours count. The minutes count. Do not let this crime against humanity take place."
Pope Pius XII also condemned the execution. The all-Black International Longshoremen’s Association Local 968 stopped working for a day in protest. Cinema artists including
Fritz Lang and
Bertolt Brecht registered their protest.
Although the notes allegedly typed by Ethel apparently contained little that was relevant to the Soviet atomic bomb project, this was sufficient evidence for the jury to convict on the conspiracy to commit espionage charge.
It is believed that part of the reason Ethel was indicted along with Julius was so that the prosecution could use her as a 'lever' to pressure Julius into giving up the names of others who were involved. If that was the case, it didn't work. On the witness stand, Julius asserted his right under the
U.S. Constitution's
Fifth Amendment to not incriminate himself whenever asked about his involvement in the
Communist Party or with its members. Ethel did similarly. Neither defendant was viewed sympathetically by the jury.
The role played by
Assistant U.S. Attorney Roy Cohn, the prosecutor in the case, is controversial, since Cohn stated in his autobiography that he influenced the selection of the judge, and pushed him to impose the death penalty on both Ethel and Julius Rosenberg.
The Rosenbergs were convicted on
March 29,
1951, and on
April 5 were sentenced to death by Judge
Irving Kaufman under Section 2 of the 1917
Espionage Act, 50
U.S. Code 32 (now 18
U.S. Code 794), which prohibits transmitting or attempting to transmit to a foreign government information "relating to the national defense." The conviction helped to fuel
Senator Joseph McCarthy's investigations into
anti-American activities by U.S. citizens. While their devotion to the Communist cause was well documented, the Rosenbergs denied the espionage charges even as they faced the
electric chair.
The couple were the only two American civilians to be executed for espionage-related activity during the
Cold War. In imposing the death penalty, Judge Kaufman noted that he held them responsible not only for espionage but also for the deaths of the
Korean War:
McCarthyism) and likening it to the witch hunts that marred
Salem and
medieval Europe (a comparison that provided the inspiration for
Arthur Miller's critically acclaimed play,
The Crucible). There is also a quotation by Ethel and Julius Rosenberg saying "We are the first victims of American fascism".
After the publication of the series in
The National Guardian and the formation of the National Committee to Secure Justice in the Rosenberg Case, some Americans came to believe both Rosenbergs were innocent or received too harsh a punishment, and a
grassroots campaign was started to try to stop the couple's execution.
Pope Pius XII appealed to
President Dwight D. Eisenhower to spare the couple, but he refused on
February 11,
1953, and all other appeals were also unsuccessful.
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Execution
The couple was executed at sundown in the
electric chair at
Sing Sing Correctional Facility in
Ossining, New York, on
June 19,
1953. This was delayed from the originally scheduled date of
June 18 because, on
June 17,
Supreme Court Associate Justice William O. Douglas had granted a
stay of execution. That stay resulted from the intervention in the case of Fyke Farmer, a Tennessee lawyer whose efforts had previously met with scorn from the Rosenbergs' attorney.
On June 18, the Court was called back into special session to dispose of Douglas' stay rather than let the execution be delayed for months while the appeal that was the basis of the stay wended its way through the lower courts. The Court didn't vacate Douglas's stay until noon on June 19. Thus, the execution then was scheduled for later in the evening after the start of the
Jewish Sabbath. Desperately playing for more time, their lawyer, Emanuel Bloch, filed a complaint that this offended their Jewish heritage—so the execution was scheduled before sunset. Reports of the execution state that Julius died after the first application of electricity, but Ethel didn't succumb immediately and was subjected to two more electrical charges before being pronounced dead. The chair was designed for a man of average size; and Ethel Rosenberg was a petite woman: this discrepancy resulted, it's claimed, in the
electrodes fitting poorly and making poor electrical contact.
Eyewitness testimony (as given by a
newsreel report featured in the
1982 documentary film The Atomic Cafe) describes smoke rising from her head.
Ethel and Julius Rosenberg are
buried at Wellwood Cemetery in Pinelawn (
Suffolk County), New York.
The Rosenbergs' children
The Rosenbergs' two sons,
Robert and
Michael, were orphaned by the executions, and no relatives dared adopt them for fear of
ostracism or worse. They were finally adopted by the songwriter
Abel Meeropol and his wife Anne, and they assumed the Meeropol surname. Abel Meeropol (under the pen name of Lewis Allan) wrote the classic anti-lynching anthem "
Strange Fruit", made famous by singer
Billie Holiday. Robert and Michael co-wrote a book about the experience,
We are Your Sons: The Legacy of Ethel and Julius Rosenberg (1975), and Robert wrote another book in 2004,
An Execution in the Family: One Son's Journey. In 1990, Robert founded the
Rosenberg Fund for Children, a non-profit foundation that provides support for children whose parents are
leftist activists involved in court cases.
Michael's daughter,
Ivy Meeropol, directed a 2004 documentary about her grandparents,
Heir to an Execution, which was featured at the
Sundance Film Festival.
The
E. L. Doctorow novel,
The Book of Daniel, is based on the Rosenberg case as seen through the eyes of the (fictionalised) son. It inspired the
Sidney Lumet film,
Daniel, starring
Timothy Hutton.
Further Bibliography Detail
- Feklisov, Aleksandr, and Kostin, Sergei, The Man Behind the Rosenbergs, Enigma Books (2001) 978-929631-24-7
- Ronald Radosh and Joyce Milton, The Rosenberg File: A Search for the Truth, Henry Holt (1983), hardcover, ISBN 0-03-049036-7
- Robert and Michael Meeropol, "We Are Your Sons, The Legacy of Ethel and Julius Rosenber," Second Edition, University of Illinois Press, 1986. [chapter15 is a detailed refutation of Radosh and Milton's scholarship], hardcover ISBN 0-252-01263-1
- Robert Meeropol, "An Execution in the Family," St. Martin's Press, 2003.
- Tema Nason, Ethel: The Fictional Autobiography of Ethel Rosenberg (originally published by Delacourt, 1990, ISBN 0-440-21110-7, paperback by Dell, 1991, same ISBN, and by Syracuse, 2002, ISBN 0-8156-0745-8), a fictional account of Ethel's life and intuitively included things that came out in later accounts.
- John Wexley The Judgment of Julius and Ethel Rosenberg. Illustrated Section in appendix at back of book. Text in English.
Further Information
Get more info on 'Julius And Ethel Rosenberg'.
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